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12 results

Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe.

Book Chapter
Artt, S. (2014)
Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In M. Stewart (Ed.), Melodrama in Contemporary Film and Television (July 2014) (171-186). Palgrave
No abstract available.

Reflections on the Self-Reflexive Musical: The Rocky Horror Picture Show and the Classic Hollywood Musical

Book Chapter
Artt, S. (2008)
Reflections on the Self-Reflexive Musical: The Rocky Horror Picture Show and the Classic Hollywood Musical. In J. Weinstock (Ed.), Reading Rocky Horror: The Rocky Horror Picture Show and Popular CulturePalgrave Macmillan
No abstract available.

‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror

Journal Article
Artt, S. (2018)
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, 11(2), 257-275. https://doi.org/10.3828/sfftv.2018.18
This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein ...

Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black.

Journal Article
Artt, S., & Schwan, A. (2016)
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6
Introduction to the special edition of Television & New Media.

'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close.

Book Chapter
Artt, S. (2018)
'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. In M. Pietrzak-Franger, N. Pleßke, & E. Voigts (Eds.), Transforming Cities (91-106). Heidelberg, Germany: Universitätsverlag Winter
The figure of the prostitute has long been associated with the city and although prostitution may take place anywhere, the connection between female prostitution and the city ...

Silence and performance: appreciating Lynne Ramsay's "Morven Callar".

Presentation / Conference
Artt, S. (2010, July)
Silence and performance: appreciating Lynne Ramsay's "Morven Callar". Paper presented at 20th International Screen Studies Conference, University of Glasgow

The woman behind the screen: adapting Edith Wharton's The House of Mirth.

Presentation / Conference
Artt, S. (2007, October)
The woman behind the screen: adapting Edith Wharton's The House of Mirth. Paper presented at Women's History Scotland Annual Conference, Smith Art Gallery, Stirling

Book Review - The Romance of Transgression in Canada: queering sexualities, nations, cinemas by Thomas Waugh.

Journal Article
Artt, S. (2009)
Book Review - The Romance of Transgression in Canada: queering sexualities, nations, cinemas by Thomas Waugh. Scope an on-line journal of film studies,

Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions.

Presentation / Conference
Artt, S. (2010, October)
Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions. Paper presented at 5th annual Association of adaptation Studies Conference, Centre for British Studies, Berlin

Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair".

Presentation / Conference
Artt, S. (2006, July)
Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". Paper presented at Migrant and Diasporic Cinema in Contemporary Europe, Oxford Brookes University