How to tackle auditory interface aesthetics? Discussion and case study
Conference Proceeding
LePlâtre, G., & McGregor, I. (2004)
How to tackle auditory interface aesthetics? Discussion and case study. In Proceedings of ICAD 04-Tenth Meeting of the International Conference on Auditory Display, Sydney, Australia, July 6-9, 2004
This paper discusses the importance of auditory interface
aesthetics and presents an empirical investigation of sound
aesthetics in context. The theoretical discussion examine...
Viewing speech in action: speech articulation videos in the public domain that demonstrate the sounds of the International Phonetic Alphabet (IPA)
Journal Article
Nakai, S., Beavan, D., Lawson, E., Leplâtre, G., Scobbie, J. M., & Stuart-Smith, J. (2016)
Viewing speech in action: speech articulation videos in the public domain that demonstrate the sounds of the International Phonetic Alphabet (IPA). Innovation in Language Learning and Teaching, 1-9. https://doi.org/10.1080/17501229.2016.1165230
In this article, we introduce recently released, publicly available resources, which allow users to watch videos of hidden articulators (e.g. the tongue) during the production...
CymaSense: a real-time 3D cymatics-based sound visualisation tool
Conference Proceeding
McGowan, J., Leplâtre, G., & McGregor, I. (2017)
CymaSense: a real-time 3D cymatics-based sound visualisation tool. In DIS '17 Companion Proceedings of the 2017 ACM Conference Companion Publication on Designing Interactive Systems (270-274). https://doi.org/10.1145/3064857.3079159
What does music look like? Representation of music has taken many forms over time, from musical notation [16], through to random algorithm-based visualisations based on the am...
Workplace soundscape mapping: a trial of Macaulay and Crerar’s method
Conference Proceeding
McGregor, I., Crerar, A., Benyon, D., & LePlâtre, G. (2006)
Workplace soundscape mapping: a trial of Macaulay and Crerar’s method. In Proceedings of the 12th International Conference on Auditory Display (ICAD2006)
This paper describes a trial of Macaulay and Crerar’s method of mapping a workplace soundscape to assess its fitness as a basis for an extended soundscape mapping method. Twel...
AniMorph: animation driven audio mosaicing.
Conference Proceeding
Tsiros, A., & LePlâtre, G. (2015)
AniMorph: animation driven audio mosaicing. In Proceedings of Electronic Visualisation and the Arts, (115-116
This paper describes AniMorph a system for animation driven Concatenative Sound Synthesis (CSS). We can distinguish between two main application domains of CSS in the context ...
Sound and soundscape classification: Establishing key auditory dimensions and their relative importance
Conference Proceeding
McGregor, I., LePlâtre, G., Crerar, A., & Benyon, D. (2006)
Sound and soundscape classification: Establishing key auditory dimensions and their relative importance
This paper investigates soundscape classification by using two different forms of data gathering and two different populations. The first method involves a questionnaire compl...
CymaSense: a novel audio-visual therapeutic tool for people on the autism spectrum.
Conference Proceeding
McGowan, J., Leplâtre, G., & McGregor, I. (2017)
CymaSense: a novel audio-visual therapeutic tool for people on the autism spectrum. In ASSETS '17 Proceedings of the 19th International ACM SIGACCESS Conference on Computers and Accessibility (62-71). https://doi.org/10.1145/3132525.3132539
Music Therapy has been shown to be an effective intervention for clients with Autism Spectrum Condition (ASC), a lifelong neurodevelopmental condition that can affect people i...
The Effectiveness of Two Audiovisual Mappings to Control a Concatenative Synthesiser
Conference Proceeding
Tsiros, A., & Leplâtre, G. (2017)
The Effectiveness of Two Audiovisual Mappings to Control a Concatenative Synthesiser. In J. Pätynen, V. Välimäki, & T. Lokki (Eds.), Proceedings of the 14th Sound and Music Computing Conference 2017. , (320-327
This paper presents the results of an investigation into audio visual (AV) correspondences conducted as part of the development of Morpheme, a painting interface to control a ...
Exploring Musical Creativity through Interactive Cymatics
Conference Proceeding
McGowan, J., Leplatre, G., & McGregor, I. (2017)
Exploring Musical Creativity through Interactive Cymatics. In Proceedings of the 31st International BCS Human Computer Interaction Conference (HCI 2017)https://doi.org/10.14236/ewic/HCI2017.67
What does music look like? Representation of sound has taken many forms over time, from sinusoidal wave patterns, through to random algorithm-based visualisations based on the...
Visualising the soundfield and soundscape: extending Macaulay and Crerar’s 1998 method
Conference Proceeding
McGregor, I., Crerar, A., Benyon, D., & LePlâtre, G. (2008)
Visualising the soundfield and soundscape: extending Macaulay and Crerar’s 1998 method. In Proceedings of the 14th International Conference on Auditory Display
The introduction of effective auditory warnings into a shared environment requires a prior understanding of the existing soundfield and soundscape. Reifying the physical and p...