Research explorer tool

8 results

Visualising the soundfield and soundscape: extending Macaulay and Crerar’s 1998 method.

Presentation / Conference
McGregor, I., Crerar, A., Benyon, D., & LePlâtre, G. (2008, June)
Visualising the soundfield and soundscape: extending Macaulay and Crerar’s 1998 method. Paper presented at ICAD 2008: The 14th annual International Conference on Auditory Display, Paris, France
The introduction of effective auditory warnings into a shared environment requires a prior understanding of the existing soundfield and soundscape. Reifying the physical and p...

Workplace soundscape mapping: a trial of Macaulay and Crerar’s method.

Presentation / Conference
McGregor, I., Crerar, A., Benyon, D., & LePlâtre, G. (2006, June)
Workplace soundscape mapping: a trial of Macaulay and Crerar’s method. Paper presented at ICAD 2006: The 12th International Conference on Auditory Display, London, UK
This paper describes a trial of Macaulay and Crerar’s method of mapping a workplace soundscape to assess its fitness as a basis for an extended soundscape mapping method. Twel...

Establishing key dimensions for reifying soundfields and soundscapes from auditory professionals.

Presentation / Conference
McGregor, I., Crerar, A., Benyon, D., & LePlâtre, G. (2007, June)
Establishing key dimensions for reifying soundfields and soundscapes from auditory professionals. Paper presented at ICAD 2007: The 13th International Conference on Auditory Display, Montreal, Canada
This paper presents a unique insight into the way acousticians, computing specialists and sound designers describe the dimensions of sound they use. Seventy-five audio profess...

Exploring Musical Creativity through Interactive Cymatics

Conference Proceeding
McGowan, J., Leplatre, G., & McGregor, I. (2018)
Exploring Musical Creativity through Interactive Cymatics. https://doi.org/10.14236/ewic/HCI2017.67
What does music look like? Representation of sound has taken many forms over time, from sinusoidal wave patterns, through to random algorithm-based visualisations based on the...

The Effectiveness of Two Audiovisual Mappings to Control a Concatenative Synthesiser

Conference Proceeding
Tsiros, A., & Leplâtre, G. (2017)
The Effectiveness of Two Audiovisual Mappings to Control a Concatenative Synthesiser. In J. Pätynen, V. Välimäki, & T. Lokki (Eds.), Proceedings of the 14th Sound and Music Computing Conference 2017. , (320-327
This paper presents the results of an investigation into audio visual (AV) correspondences conducted as part of the development of Morpheme, a painting interface to control a ...

Sketching concatenative synthesis: audiovisual Isomorphism in reduced modes.

Conference Proceeding
Tsiros, A., LePlâtre, G. & Smyth, M. (2011)
Sketching concatenative synthesis: audiovisual Isomorphism in reduced modes. In 9th Sound and Music Computing Conference, 409-507
This paper presents a prototype allowing the control of a concatenative synthesis algorithm using a 2D sketching interface. The design of the system is underpinned by a prelim...

Soundscape mapping: a tool for evaluating sounds and auditory environments.

Conference Proceeding
McGregor, I., LePlâtre, G., Turner, P. & Flint, T. (2010)
Soundscape mapping: a tool for evaluating sounds and auditory environments. In Proceedings of the 16th International Conference on Auditory Display
This paper describes a soundscape mapping tool, and provides an illustration of its use in the evaluation of an in-car auditory interface. The tool addresses three areas: comm...

Evaluation of a Sketching Interface to Control a Concatenative Synthesiser

Conference Proceeding
Tsiros, A., & Leplâtre, G. (2016)
Evaluation of a Sketching Interface to Control a Concatenative Synthesiser. In Proceedings of the 42nd International Computer Music Conference 2016. , (74-78
This paper presents the evaluation of Morpheme a sketching interface for the control of sound synthesis. We explain the task that was designed in order to assess the effective...
5 results

Learning to cope with non-discretionary use of digital technologies

0 - 2016
The thesis describes an investigation into how people learn to cope with non-discretionary use of digital technologies. This includes...
Dr Emilia Sobolewska | Director of Studies: Prof David Benyon | Second Supervisor: Dr Michael Smyth

Real-time 3D graphic augmentation of music therapy sessions for people on the autism spectrum

2015 - 2019
Autism Spectrum Disorder (ASD) is a lifelong neurodevelopmental disorder that can affect people in a number...
Dr John McGowan | Director of Studies: Dr Gregory Leplatre | Second Supervisor: Dr Iain McGregor

Intermediated reality

2016 - 2020
Augmented Reality (AR) aims to extend the physical world through virtual content. To perform such addition in an unnoticeable way, a variety of technical constraints need to be su...
Llogari Casas Cambra | Director of Studies: Prof Kenny Mitchell | Second Supervisor: Dr Kevin Chalmers

A multidimensional sketching interface for visual interaction with corpus-based concatenative sound synthesis

2009 - 2016
The present research sought to investigate the correspondence between auditory and visual f...
Dr Augoustinos Tsiros | Director of Studies: Dr Gregory Leplatre | Second Supervisor: Dr Michael Smyth

Appropriating interaction

2009 - 2016
This investigation examines various methods for evaluating interactivity and engagement with technology. By using a static model, namely the interactive gallery at The Public...
Dr Tom Flint | Director of Studies: Dr Phil Turner | Second Supervisor: Dr Gregory Leplatre