Martin McDonagh (dir.) (2018) ‘Three Billboards Outside Ebbing, Missouri’. Fox Searchlight Pictures: Los Angeles, California, USA.
Journal Article
Maglione, G. (2019)
Martin McDonagh (dir.) (2018) ‘Three Billboards Outside Ebbing, Missouri’. Fox Searchlight Pictures: Los Angeles, California, USA. Crime, Media, Culture, 15(3), 555-558. https://doi.org/10.1177/1741659018815932
No abstract available.
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror
Journal Article
Artt, S. (2018)
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, 11(2), 257-275. https://doi.org/10.3828/sfftv.2018.18
This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein ...
Gaelic Television: Building Bricks without Straw
Journal Article
Maclean, D. (2018)
Gaelic Television: Building Bricks without Straw. International Journal of Scottish Theatre and Screen, 11(1), 6-28
This article considers the role and place of Gaelic television output looking at how Gaelic content was delivered prior to the creation of BBC Alba in 2008 and up to the prese...
STV At 60
Journal Article
Scott, A. (2018)
STV At 60. International Journal of Scottish Theatre and Screen, 11(1), 29-50
This article traces the history of Scottish Television (STV) since it was first established as the independent television channel serving central Scotland in 1957 by charting ...
Second Screen interaction in the cinema: Experimenting with transmedia narratives and commercialising user participation
Journal Article
Blake, J. (2017)
Second Screen interaction in the cinema: Experimenting with transmedia narratives and commercialising user participation. Participations: International Journal of Audience Reception Studies, 14(2), 526-544
In its relatively short life, second screen interaction has evolved into a variety of forms of viewer engagement. The practice of using two screens concurrently has become com...
Interview with Tim Irwin, Director of We Jam Econo: The Story of the Minutemen (2005) and Don’t Break Down: A Film about Jawbreaker (2017)
Journal Article
Keeble, A. (2017)
Interview with Tim Irwin, Director of We Jam Econo: The Story of the Minutemen (2005) and Don’t Break Down: A Film about Jawbreaker (2017). Punk and Post Punk, 6(1), 157-162. https://doi.org/10.1386/punk.6.1.157_7
This interview was conducted over Skype on 26 March 2017. I contacted Tim Irwin for an interview with two main goals in mind. First, I was hoping for insight into his new film...
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black.
Journal Article
Artt, S., & Schwan, A. (2016)
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6
Introduction to the special edition of Television & New Media.
Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black
Journal Article
Schwan, A. (2016)
Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black. Television and New Media, 17(6), 473-490. https://doi.org/10.1177/1527476416647497
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly promote pri...
Won’t bow: Don’t know how: Treme, New Orleans and American exceptionalism
Journal Article
Keeble, A. (2016)
Won’t bow: Don’t know how: Treme, New Orleans and American exceptionalism. European Journal of American Culture, 35(1), 51-67. https://doi.org/10.1386/ejac.35.1.51_1
This article examines the depiction of exceptionalism in David Simon and Eric Overmeyer’s television series, Treme, and argues that the series uses its New Orleans microcosm t...
'Not Enough of Him' Technology and Melancholia in 'Be Right Back'.
Journal Article
Artt, S. (2015)
'Not Enough of Him' Technology and Melancholia in 'Be Right Back'. In media res: a media commons project,