Scott, A. (2018). STV At 60. International Journal of Scottish Theatre and Screen, 11(1), 29-50
This article traces the history of Scottish Television (STV) since it was first established as the independent television channel serving central Scotland in 1957 by charting ...
Blake, J. (2017). Second Screen interaction in the cinema: Experimenting with transmedia narratives and commercialising user participation. Participations: International Journal of Audience Reception Studies, 14(2), 526-544
In its relatively short life, second screen interaction has evolved into a variety of forms of viewer engagement. The practice of using two screens concurrently has become com...
Artt, S., & Schwan, A. (2016). Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), (1-6). ISSN 1527-4764
Introduction to the special edition of Television & New Media.
Schwan, A. (2016). Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black. Television and New Media, 17(6), (473-490). doi:10.1177/1527476416647497. ISSN 1527-4764
This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly