C. Paul Sellors

Dr C. Paul Sellors SFHEA

Lecturer T&R

cp.sellors@napier.ac.uk

About me
Activity
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Post Grad

Biography

C. Paul Sellors is a Lecturer in Film Theory, History, and Criticism at Edinburgh Napier University, and is the Programme Leader of BA (Hons) Film. He is the author of Film Authorship: Auteurs and Other Myths (2010) and has published on film theory, film history, the philosophy of film, and intellectual property law in film in journals including Screen, Living Pictures, Film and Philosophy, The Journal of Aesthetics and Art Criticism, and the Journal of Media Law. He achieved his PhD at New York University under the supervision of Professor Richard Allen. Before working at Edinburgh Napier he taught at New York University and the University of Glasgow.

School

School of Arts and Creative Industries

Research Groups

Centre for Arts, Media and Culture

Themes

AI and Technologies

Research Areas

Esteem

Fellowships and Awards

Senior Fellow of the Higher Education Academy

Invited Speaker

Visiting Lecturer, The Polish National Film, Television and Theatre School in Łódź

Reviewing

Manuscript Peer Reviewer

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Senso.

Book

Sellors, C. P. (2003)

Senso. In Bertellini, G. (Ed.). The Cinema of Italy, 63-71. Wallflower Press. ISBN 1-903364-98-1

Senso.

Grafting Union Square onto the Old Rialto: Film-Going within Industrial Society.

Journal Article

Sellors, C. P. (2001)

Grafting Union Square onto the Old Rialto: Film-Going within Industrial Society. Living pictures : the journal of the popular and projected image before 1914. 1, 38-57. ISSN 1467-0577

The Impossibility of Science Fiction: Against Buckland's Possible Worlds

Journal Article

Sellors, C. P. (2000)

The Impossibility of Science Fiction: Against Buckland's Possible Worlds. Screen, 41(2), 203-216. doi:10.1093/screen/41.2.203

The Impossibility of Science Fiction: Against Buckland's Possible Worlds.

Edinburgh Napier University

Dr C. Paul Sellors SFHEA

Biography

School

Esteem

Fellowships and Awards

Invited Speaker

Reviewing

Filter by

Date

Senso.

Grafting Union Square onto the Old Rialto: Film-Going within Industrial Society.

The Impossibility of Science Fiction: Against Buckland's Possible Worlds

Current Post Grad projects

Creative autonomy in the jazz framework: An exploration of autonomy and artistic license as it is applied to performance, improvisation and composition in the jazz context - Kyle Irwin, Prof Haftor Medboe, Dr Zack Moir, Dr C. Paul Sellors

Design for bereavement: Transdisciplinary approaches to grieving processes - Richard Thompson, Dr Diane Willis, Dr Kirstie Jamieson, Dr Tom Flint, Dr C. Paul Sellors

Previous Post Grad projects

Between the cracks: theme, screenwriting and visual structure - David Crawford, Dr C. Paul Sellors (Director Of Studies), Mr James Mavor, Prof Louise Milne, Dr Sarah Artt

A vast shadow house: Critical and creative responses to David Lindsay’s vision - Dr Seán Martin, Dr C. Paul Sellors (Director Of Studies), Dr Sarah Artt, Prof Chris Atton

In the best interests of the country: The American Film Institute and philanthropic support for American experimental and independent cinema in the 1960s - Gracia Ramirez, Dr C. Paul Sellors (Director Of Studies), Roberta McGrath, Dr Scott Lyall

Anglophone Sub-Sahara African video industry: a new paradigmatic practice of movie--making - Kofi Boateng, Roberta McGrath, Dr C. Paul Sellors (Second Supervisor), Prof Chris Atton

“Voice, and verse”: Exploring the salience of text in the communication of newly composed music - Stuart Mitchell, Mr. Ken Dempster, Dr John Hails, Dr C. Paul Sellors (Additional Supervisor), Dr C. Paul Sellors (Additional Supervisor)