An examination of the physical and temporal parameters of post-physical printmaking practice: exploring new modes of collaboration, distribution and consumption resulting from digital processes and networked participation.
Citation
Thompson, P. An examination of the physical and temporal parameters of post-physical printmaking practice: exploring new modes of collaboration, distribution and consumption resulting from digital processes and networked participation. (Thesis). Robert Gordon University. Retrieved from http://researchrepository.napier.ac.uk/Output/683309
Authors
Keywords
Digital, Printmaking, Printmaking2.0, Art, Post-physical, Augmented, Virtual, Reality, Social, Networks,
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