5 results

Exploring Musical Creativity through Interactive Cymatics

Conference Proceeding
McGowan, J., Leplatre, G., & McGregor, I. (2017)
Exploring Musical Creativity through Interactive Cymatics. In Proceedings of the 31st International BCS Human Computer Interaction Conference (HCI 2017)https://doi.org/10.14236/ewic/HCI2017.67
What does music look like? Representation of sound has taken many forms over time, from sinusoidal wave patterns, through to random algorithm-based visualisations based on the...

Continental Drift: 50 years of jazz from Europe

Conference Proceeding
Medboe, H., Bares, W., Webster, E., Frost Fadnes, P., Inglis, C., Kahr, M., …Heyman, M. (2017)
Continental Drift: 50 years of jazz from Europe. In Z. Moir, & C. Atton (Eds.), Continental Drift: 50 years of jazz from Europe - Conference Proceedings. , (v-vi
Following popular exposure in France to the proto-jazz of James Reese Europe and his 369th “Harlem Hellfighters” Infantry Regiment during the latter years of WW1, the jazz bug...

Real-time teaching of musicianship and audio engineering using LOLA – ‘LOw LAtency audio/ video streaming

Conference Proceeding
Ferguson, P. (2015)
Real-time teaching of musicianship and audio engineering using LOLA – ‘LOw LAtency audio/ video streaming
This presentation and demonstration was given at the 26th UK AES Conference on Audio Education 2015 in Glasgow, UK. The session introduces version 1.4 of the LOLA low-latency...

Using Low-Latency Net-Based Solutions to Extend the Audio and Video Capabilities of a Studio Complex.

Conference Proceeding
Ferguson, P. (2013)
Using Low-Latency Net-Based Solutions to Extend the Audio and Video Capabilities of a Studio Complex
Two low-latency IP-based systems, RedNet and LOLA, were selected by Edinburgh Napier University to link a new music building with existing broadcast and drama facilities and t...

Adorno and Deleuze: a dialectical relationship in the music and thought of Brian Ferneyhough.

Conference Proceeding
Fitch, L. (2005)
Adorno and Deleuze: a dialectical relationship in the music and thought of Brian Ferneyhough