Live Improvised Performance Over Networks.
Presentation / Conference
Moir, Z., & Ferguson, P. (2019, April)
Live Improvised Performance Over Networks. Presented at Network Performing Arts Production Workshop
No abstract available.
Can Music be Digitised? Samplers, Democratisation, and 'the Digital Age'
Presentation / Conference
Harkins, P. (2018, December)
Can Music be Digitised? Samplers, Democratisation, and 'the Digital Age'. Paper presented at Music, Digitalisation, and Democracy
Rather than an abrupt or revolutionary shift from analogue to digital, I will argue in this paper that the use of digital technologies such as samplers have been part of a mor...
Towards a Critical Consideration of Higher Popular Music Education: 5 Questions and some proposed answers
Presentation / Conference
Moir, Z. (2018, June)
Towards a Critical Consideration of Higher Popular Music Education: 5 Questions and some proposed answers. Paper presented at Association of Popular Music Education Annual Conference, Tennessee, USA
No abstract available.
Music From The Mundane: Found Sounds and Popular Music Composition
Presentation / Conference
Moir, Z. (2018, June)
Music From The Mundane: Found Sounds and Popular Music Composition. Paper presented at Association of Popular Music Education Annual Conference, Tennessee, USA
No abstract available.
What can we learn from ‘unpopular’ music and its audiences?
Presentation / Conference
Atton, C. (2014, April)
What can we learn from ‘unpopular’ music and its audiences?. Paper presented at Studying Music: An International Conference in Honour of Simon Frith, University of Edinburgh
The sociology of popular music has tended to eschew conventional musicological approaches and instead to locate the listening experience as one rooted in social uses and pleas...
Cultures of Listening: The popular aesthetics of 'difficult music'.
Presentation / Conference
Atton, C. (2013, October)
Cultures of Listening: The popular aesthetics of 'difficult music'
Difficulty and complexity are values most often associated with a modernist avant-garde of ‘serious’ music. Their presence in popular music tends to attract the opprobrium of...
Groovin’ High and Low: exploring the jazz vernacular.
Presentation / Conference
Medbøe, H. (2013, April)
Groovin’ High and Low: exploring the jazz vernacular. Paper presented at Rhythm Changes 2013, Salford UK
Debate over origin and authenticity aside, the musical language of jazz is today spoken and understood amongst a diversity of communities the world over. Standard repertoire, ...
Nordic Tone: Redrawing borders of culture and boundaries of style.
Presentation / Conference
Medbøe, H. (2012, July)
Nordic Tone: Redrawing borders of culture and boundaries of style. Paper presented at International Musicological Society, Rome, Italy
Historians and educators have traditionally presented the century long evolution of jazz in a linear, canonical fashion. Applications of this model are often limited to the mu...
The future sound of retro: Daft Punk, Tron: Legacy and the sound of science fiction.
Presentation / Conference
Artt, S. (2011, June)
The future sound of retro: Daft Punk, Tron: Legacy and the sound of science fiction. Paper presented at Sonic Futures: soundscapes and the languages of screen media, King's College London/Birkbeck
The Strange Delights of ‘The Whipped Cream Mixes’: The Aesthetics, Humour and Tradition of Mash-ups
Presentation / Conference
Harkins, P. & Brøvig-Hanssen, R. (2010, December)
The Strange Delights of ‘The Whipped Cream Mixes’: The Aesthetics, Humour and Tradition of Mash-ups. Paper presented at Art of Record Production (ARP), Leeds Metropolitan University
No abstract available.