Article
01 December 2010
Published
10.5429/2079-3871(2010)v1i2.3en
2079-3871
Harkins, P. (2010). Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation. Journal of the International Association for the Study of Popular Music, 1(1), 1-19. https://doi.org/10.5429/2079-3871%282010%29v1i2.3en
Lecturer T&RSchool of Arts and Creative Industries
0131 455 5020
P.Harkins@napier.ac.uk
Art, digital sampling, hip hop, pop, recording studio, technology,
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Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
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