Research Output

Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black

  This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly
promote prison reform and exercise a subtle critique of (female) mass incarceration while renegotiating the boundaries of the women in prison genre in a neoliberal
context of media production.1 Similar to earlier examples of the women in prison genre, OITNB highlights relationships between women, in this instance relationships
between a particularly diverse group of women, with a view to interrogating white, middle-class women’s identity through Piper Chapman’s character, who also serves
as a foil for the show’s implied viewer, at least initially. OITNB inhabits the tensions associated both with the women in prison genre and postfeminism, tensions
manifesting themselves in titillating content and Netflix’s aggressive marketing campaigns, which appropriate women’s prison experiences as a life-style choice
rather than focusing on in-depth analyses of the root causes of incarceration. Yet, the series has the potential to mobilize social awareness and activist sensibilities amongst
its target audience, in a political and media environment where the individual and social cost of mass incarceration is increasingly recognized as untenable.2 Building on theories of postfeminism and recent work on the women in prison genre in feminist media, film and cultural studies, and by analyzing the show’s self-reflexive strategies and its exploration of Piper’s perspective, I suggest that the series affords useful opportunities for assessing the effectiveness of (post)feminism’s tactics as an ally in the fight against social inequalities, media (mis-)representation and mass imprisonment specifically.

  • Type:

    Article

  • Date:

    11 May 2016

  • Publication Status:

    Published

  • Publisher

    Sage

  • DOI:

    10.1177/1527476416647497

  • Cross Ref:

    10.1177/1527476416647497

  • ISSN:

    1527-4764

  • Library of Congress:

    PN1990 Broadcasting

  • Dewey Decimal Classification:

    791 Public performances

Citation

Schwan, A. (2016). Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black. Television and New Media, 17(6), (473-490). doi:10.1177/1527476416647497. ISSN 1527-4764

Authors

Keywords

Postfeminism, Women in Prison, "Orange is the New Black", identity,

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