What a victory it might have been”: C. E. Montague and the First World War.
Book
Frayn, A. (2015)
What a victory it might have been”: C. E. Montague and the First World War. In T. Tate, & K. Kennedy (Eds.), The Silent Morning: Culture and Memory After the Armistice, 131-148. Manchester, UK: Manchester University Press
Discusses Montague's post-war prose work in terms of peace and silence.
Writing disenchantment: British First World War prose, 1914-30
Book
Frayn, A. (2014)
Writing disenchantment: British First World War prose, 1914-30. Manchester University Press. https://doi.org/10.7228/manchester/9780719089220.001.0001
This book argues that disenchantment is not only a response to wartime experience, but a condition of modernity with a language that finds extreme expression in First World Wa...
In “the black murmuring crowd”: Aldington’s Imagist London.
Book
Frayn, A. (2011)
In “the black murmuring crowd”: Aldington’s Imagist London. In D. Kempton, & H. R. Stoneback (Eds.), Aldington, Pound, and the Imagists at Brunnenburg, 27-35. Greagau Press
This battle was not over: Parade’s End as a transitional text in the development of ‘disenchanted’ First World War literature.
Book
Frayn, A. (2008)
This battle was not over: Parade’s End as a transitional text in the development of ‘disenchanted’ First World War literature. In A. Gąsiorek, & D. Moore (Eds.), Ford Madox Ford: Literary Networks and Cultural Transformations, 201-216. Rodopi
This chapter argues that the novels of Ford's Parade's End tetralogy occupy a significant place in the development of "disenchanted" fiction about the First World War. The val...