When Is A Drummer Not A Drummer? Developing Coordination , Musicianship And Creativity Through Electronic Drum Performance
Book Chapter
Stillie, B. (2019)
When Is A Drummer Not A Drummer? Developing Coordination , Musicianship And Creativity Through Electronic Drum Performance. In Z. Moir, B. Powell, & G. Dylan Smith (Eds.), The Bloomsbury Handbook of Popular Music Education Perspectives and Practices (189-201). London: Bloomsbury Publishing
Many drummers now embrace technology to enhance and extend their setup, and what they can offer their band. Thus, it is important that drum kit education addresses this phenom...
Live Improvisation Over Network
Exhibition / Performance
Moir, Z., & Ferguson, P. Live Improvisation Over Network. 2 April 2019 - 4 April 2019. (Unpublished))
Moir, Z., & Ferguson, P. Live Improvisation Over Network. 2 April 2019 - 4 April 2019. (Unpublished
No abstract available.
Live Improvised Performance Over Networks.
Presentation / Conference
Moir, Z., & Ferguson, P. (2019, April)
Live Improvised Performance Over Networks. Presented at Network Performing Arts Production Workshop
No abstract available.
Can Music be Digitised? Samplers, Democratisation, and 'the Digital Age'
Presentation / Conference
Harkins, P. (2018, December)
Can Music be Digitised? Samplers, Democratisation, and 'the Digital Age'. Paper presented at Music, Digitalisation, and Democracy
Rather than an abrupt or revolutionary shift from analogue to digital, I will argue in this paper that the use of digital technologies such as samplers have been part of a mor...
Distant Voices
Other
Dempster, K. (2016)
Distant Voices
Distant Voices - A unique multi-disciplinary performance, in which live musicians in Edinburgh connect, via video-link technology, with dancers on stage in Liverpool and Flori...
for three
Other
Hails, J. (2015)
for three. Print manuscript in possession of composer
Musical work (duration 41') for three unspecified melodic sustaining instruments. Work employs specific tuning related to just intervals.
for Mies
Other
Burton, K. (2015)
for Mies. Chicago, USA
A work for solo cello commissioned by Access Contemporary Music and the Chicago Architecture Foundation. The composition explores the relationship between music and the archit...
Why Benjamin Britten’s War Requiem still resounds today
Other
Ashton, N. (2014)
Why Benjamin Britten’s War Requiem still resounds today
The Hold
Other
Dempster, K. (2014)
The Hold
The Hold – a site-specific, promenade performance, staged at the National Museum of Scotland, Chambers Street, Edinburgh, the result of a collaboration between Lung Ha’s Theat...
Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups
Journal Article
Brøvig-Hanssen, R., & Harkins, P. (2012)
Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups. Popular Music, 31, 87-104. https://doi.org/10.1017/S026114301100047X
The academic literature on mash-ups has been dominated by discussions about issues relating to
their illegal nature and infringement of copyright. We aim to appraise this musi...