Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia
Journal Article
Supartono, A., & Moschovi, A. (2020)
Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Journal of Southeast Asian Studies, 51(3), 343-371. https://doi.org/10.1017/S0022463420000508
This article seeks to explore the impact of digital technologies upon the material, conceptual and ideological premises of the colonial archive in the digital era. This analys...
Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes
Book Chapter
Moschovi, A., & Supartono, A. (2019)
Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes. In H. Lewi, W. Smith, S. Cooke, & D. vom Lehn (Eds.), The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites (227-240). London: Routledge
The chapter explores how creative repurposing of networked photographs and online interactivity may open new channels and networks for the critical re-evaluation of mainstream...
A History Of Boys: The MES 56 And Beyond
Journal Article
Supartono, A. (2018)
A History Of Boys: The MES 56 And Beyond. DECK Journal of Photography, 1(1), 94-105
In 2017, DECK Art Photography Center in Singapore started a series of research-based exhibitions on contemporary Southeast Asian photography. For its inaugural exhibition of t...
From Singapore with Nature
Book Chapter
Supartono, A. (2018)
From Singapore with Nature
In 1819, when Stamford Raffles decided to turn the small fishing island at the Malacca strait into a trading port of British East India company, the future of Singapore was se...
One and Three Discs (after Kosuth)
Presentation / Conference
Holmes, P. (2018, September)
One and Three Discs (after Kosuth). Presented at Creative Legacies: Collaborative Practices for Digital Cultural Heritage
It is over 50 years since Joseph Kosuth’s conceptual work One and Three Chairs (1965) challenged its viewer to locate the “real” by choosing between an object & its visual or ...
The History of Boys, the MES 56 and Beyond: A survey of Contemporary Photography in Indonesia
Exhibition / Performance
Supartono, A. The History of Boys, the MES 56 and Beyond: A survey of Contemporary Photography in Indonesia. 17 March 2017 - 23 April 2017. (Unpublished))
Supartono, A. The History of Boys, the MES 56 and Beyond: A survey of Contemporary Photography in Indonesia. 17 March 2017 - 23 April 2017. (Unpublished
This inaugural show of “Crossing SEA”, a series of research-based Southeast Asia photographic exhibitions, DECK presented one of the most successful and enduring photography c...
Assam The Language of Tea: A familial re-purposing
Book Chapter
Cavers, C. (2017)
Assam The Language of Tea: A familial re-purposing. In IX Chobi Mela 2017
Assam, the Language of Tea: A Familial Repurposing, by Colin Cavers, is a postcolonial investigation of his colonial past by revisiting his portrait of tea pluckers project in...
Chobi Mela IX
Exhibition / Performance
Cavers, C. Chobi Mela IX. Exhibited at Dhaka, Bangladesh. 3 February 2017 - 16 February 2017. (Unpublished)
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Cavers, C. Chobi Mela IX. Exhibited at Dhaka, Bangladesh. 3 February 2017 - 16 February 2017. (Unpublished)
The Postcolonial Photo Studio exhibition, explores the interface of photography and colonial history by examining how photo studio concept and technique in the colonial era in...
Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia
Presentation / Conference
Moschovi, A., & Supartono, A. (2016, September)
Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Paper presented at Association of Southeast Asian Studies UK (ASEASUK) Conference 2016
This paper seeks to explore the impact of digital technologies upon the material, conceptual and ideological premises of the colonial archive in the digital era. This analysis...
Lost in Translation
Journal Article
Cavers, C., & Supartono, A. (2015)
Lost in Translation. Ojodepez, 43, 52-57