Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes
Book Chapter
Moschovi, A., & Supartono, A. (2019)
Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes. In H. Lewi, W. Smith, S. Cooke, & D. vom Lehn (Eds.), The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites (227-240). London: Routledge
The chapter explores how creative repurposing of networked photographs and online interactivity may open new channels and networks for the critical re-evaluation of mainstream...
Colonial Machine: the Image of the Industry
Book Chapter
Supartono, A. (2014)
Colonial Machine: the Image of the Industry. In G. Newton (Ed.), Garden of the East: Photography in Indonesia 1860s-1940s, (56-59). National Gallery of Australia
No abstract available.
Re-examining the aims and context of Raffles' photographic practice
Book Chapter
Scott, A. (2017)
Re-examining the aims and context of Raffles' photographic practice. In Franki Raffles: Observing Women at Work, 15-23
No abstract available.
Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia
Journal Article
Supartono, A., & Moschovi, A. (2020)
Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Journal of Southeast Asian Studies, 51(3), 343-371. https://doi.org/10.1017/S0022463420000508
This article seeks to explore the impact of digital technologies upon the material, conceptual and ideological premises of the colonial archive in the digital era. This analys...
A History Of Boys: The MES 56 And Beyond
Journal Article
Supartono, A. (2018)
A History Of Boys: The MES 56 And Beyond. DECK Journal of Photography, 1(1), 94-105
In 2017, DECK Art Photography Center in Singapore started a series of research-based exhibitions on contemporary Southeast Asian photography. For its inaugural exhibition of t...