Towards a Critical Consideration of Higher Popular Music Education: 5 Questions and some proposed answers
Presentation / Conference
Moir, Z. (2018, June)
Towards a Critical Consideration of Higher Popular Music Education: 5 Questions and some proposed answers. Paper presented at Association of Popular Music Education Annual Conference, Tennessee, USA
No abstract available.
The Dancing-Master's Toolkit: a Summary of the Pochette of the Seventeenth and Eighteenth Centuries and its Role in Society
Journal Article
Durkin, R. (2017)
The Dancing-Master's Toolkit: a Summary of the Pochette of the Seventeenth and Eighteenth Centuries and its Role in Society. The Galpin Society journal, LXX, 65-79
The pochette or kit of the seventeenth and eighteenth centuries survives in surprisingly large numbers in both specialist and general collections, and displays a variety of fo...
Music From The Mundane: Found Sounds and Popular Music Composition
Presentation / Conference
Moir, Z. (2018, June)
Music From The Mundane: Found Sounds and Popular Music Composition. Paper presented at Association of Popular Music Education Annual Conference, Tennessee, USA
No abstract available.
Can Music be Digitised? Samplers, Democratisation, and 'the Digital Age'
Presentation / Conference
Harkins, P. (2018, December)
Can Music be Digitised? Samplers, Democratisation, and 'the Digital Age'. Paper presented at Music, Digitalisation, and Democracy
Rather than an abrupt or revolutionary shift from analogue to digital, I will argue in this paper that the use of digital technologies such as samplers have been part of a mor...
Todd Edwards & the microsample: speed & spirituality in UK Garage.
Presentation / Conference
Harkins, P. (2007, October)
Todd Edwards & the microsample: speed & spirituality in UK Garage. Paper presented at Mediation, Movement and Microrhythm in Groove-Based Music Workshop, University of Oslo, Norway
My paper will examine the role of New Jersey producer Todd Edwards within the development of UK Garage by focussing on his use of microsamples which Simon Reynolds describes a...
Live Improvisation Over Network
Exhibition / Performance
Moir, Z., & Ferguson, P. Live Improvisation Over Network. 2 April 2019 - 4 April 2019. (Unpublished))
Moir, Z., & Ferguson, P. Live Improvisation Over Network. 2 April 2019 - 4 April 2019. (Unpublished
No abstract available.
The Strange Delights of ‘The Whipped Cream Mixes’: The Aesthetics, Humour and Tradition of Mash-ups
Presentation / Conference
Harkins, P. & Brøvig-Hanssen, R. (2010, December)
The Strange Delights of ‘The Whipped Cream Mixes’: The Aesthetics, Humour and Tradition of Mash-ups. Paper presented at Art of Record Production (ARP), Leeds Metropolitan University
No abstract available.
Live Improvised Performance Over Networks.
Presentation / Conference
Moir, Z., & Ferguson, P. (2019, April)
Live Improvised Performance Over Networks. Presented at Network Performing Arts Production Workshop
No abstract available.
for Mies
Other
Burton, K. (2015)
for Mies. Chicago, USA
A work for solo cello commissioned by Access Contemporary Music and the Chicago Architecture Foundation. The composition explores the relationship between music and the archit...
Blake Schwarzenbach and the anxieties of American punk rock: 1991–present
Journal Article
Keeble, A. (2016)
Blake Schwarzenbach and the anxieties of American punk rock: 1991–present. Punk and Post Punk, 5(3), 295-310. https://doi.org/10.1386/punk.5.3.295_1
This article argues that Blake Schwarzenbach was a pivotal figure in the evolution of American punk from the early 1990s. Schwarzenbach’s journey as a punk figure has exemplif...