How to tackle auditory interface aesthetics? Discussion and case study
Conference Proceeding
LePlâtre, G., & McGregor, I. (2004)
How to tackle auditory interface aesthetics? Discussion and case study. In Proceedings of ICAD 04-Tenth Meeting of the International Conference on Auditory Display, Sydney, Australia, July 6-9, 2004
This paper discusses the importance of auditory interface
aesthetics and presents an empirical investigation of sound
aesthetics in context. The theoretical discussion examine...
Sonifying the solar system
Conference Proceeding
Quinton, M., McGregor, I., & Benyon, D. (2016)
Sonifying the solar system. In The 22nd International Conference on Auditory Display (ICAD-2016), (28-35
Sound is potentially an effective way of analysing data and it is possible to simultaneously interpret layers of sounds and identify changes. Multiple attempts to use sound wi...
Everyday listening to auditory displays: lessons from acoustic ecology.
Conference Proceeding
Droumeva, M., & McGregor, I. (2012)
Everyday listening to auditory displays: lessons from acoustic ecology. In Proceedings of The 18th International Conference on Auditory Display (ICAD2012)
In order to design auditory displays that function well within the cultural, informational and acoustic ecology of everyday situations designers as well as researchers in psyc...
Ensemble: embodied experiences in a sound and jewellery installation
Conference Proceeding
Kettley, S., Smyth, M., Arvind, D. K., Greig, F., McGregor, I., & Paechter, B. (2007)
Ensemble: embodied experiences in a sound and jewellery installation. In D. Golightly, T. Rose, & B. Light (Eds.), Create 07 Creative Inventions, Innovations and Everyday Designs in HCI
ensemble - an interactive collection of networked jewellery with gesturally determined, real time sonic output
Visualising the soundfield and soundscape: extending Macaulay and Crerar’s 1998 method
Conference Proceeding
McGregor, I., Crerar, A., Benyon, D., & LePlâtre, G. (2008)
Visualising the soundfield and soundscape: extending Macaulay and Crerar’s 1998 method. In Proceedings of the 14th International Conference on Auditory Display
The introduction of effective auditory warnings into a shared environment requires a prior understanding of the existing soundfield and soundscape. Reifying the physical and p...
Design and development of Auralization room at Edinburgh Napier University
Conference Proceeding
Prokofieva, E., Luciani, C., & McGregor, I. (2014)
Design and development of Auralization room at Edinburgh Napier University. In Proceedings of the 136th international AES Convention
The auralization room was designed as a joint project between School of Engineering and Built Environment and the School of Computing of Edinburgh Napier University. The inter...
Evaluating a vehicle auditory display: comparing a designer's expectations with listeners' experiences
Conference Proceeding
McGregor, I., Larsson, P., & Turner, P. (2011)
Evaluating a vehicle auditory display: comparing a designer's expectations with listeners' experiences. In ECCE '11: Proceedings of the 29th Annual European Conference on Cognitive Ergonomics (89-92). https://doi.org/10.1145/2074712.2074731
This paper illustrates a method for the early evaluation of auditory displays in context. A designer was questioned about his expectations of an auditory display for Heavy Goo...
Workplace soundscape mapping: a trial of Macaulay and Crerar’s method
Conference Proceeding
McGregor, I., Crerar, A., Benyon, D., & LePlâtre, G. (2006)
Workplace soundscape mapping: a trial of Macaulay and Crerar’s method. In Proceedings of the 12th International Conference on Auditory Display (ICAD2006)
This paper describes a trial of Macaulay and Crerar’s method of mapping a workplace soundscape to assess its fitness as a basis for an extended soundscape mapping method. Twel...
Head-mounted displays as opera glasses: using mixed-reality to deliver an egalitarian user experience during live events
Conference Proceeding
Bishop, C., Esteves, A., & McGregor, I. (2017)
Head-mounted displays as opera glasses: using mixed-reality to deliver an egalitarian user experience during live events. In ICMI 2017 Proceedings of the 19th ACM International Conference on Multimodal Interactionhttps://doi.org/10.1145/3136755.3136781
This paper explores the use of head-mounted displays (HMDs) as a way to deliver a front row experience to any audience member during a live event. To do so, it presents a two-...
CymaSense: a real-time 3D cymatics-based sound visualisation tool
Conference Proceeding
McGowan, J., Leplâtre, G., & McGregor, I. (2017)
CymaSense: a real-time 3D cymatics-based sound visualisation tool. In DIS '17 Companion Proceedings of the 2017 ACM Conference Companion Publication on Designing Interactive Systems (270-274). https://doi.org/10.1145/3064857.3079159
What does music look like? Representation of music has taken many forms over time, from musical notation [16], through to random algorithm-based visualisations based on the am...