Reflections on the Self-Reflexive Musical: The Rocky Horror Picture Show and the Classic Hollywood Musical
Book Chapter
Artt, S. (2008)
Reflections on the Self-Reflexive Musical: The Rocky Horror Picture Show and the Classic Hollywood Musical. In J. Weinstock (Ed.), Reading Rocky Horror: The Rocky Horror Picture Show and Popular CulturePalgrave Macmillan
No abstract available.
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black.
Journal Article
Artt, S., & Schwan, A. (2016)
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6
Introduction to the special edition of Television & New Media.
Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe.
Book Chapter
Artt, S. (2014)
Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In M. Stewart (Ed.), Melodrama in Contemporary Film and Television (July 2014) (171-186). Palgrave
No abstract available.
The Steampunk Detective: Sherlock Holmes and Sherlock.
Presentation / Conference
Artt, S. (2012, June)
The Steampunk Detective: Sherlock Holmes and Sherlock. Paper presented at Neo-Victorian Networks: Epistemologies, Aesthetics and Ethics, University of Amsterdam
This paper will examine the recent refashioning of Arthur Conan Doyle's most famous creation as steampunk action hero in Guy Ritchie's Sherlock Holmes(2009) and Sherlock Holme...
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror
Journal Article
Artt, S. (2018)
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, 11(2), 257-275. https://doi.org/10.3828/sfftv.2018.18
This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein ...
Ambulant Fetish: the exotic woman in "Black Venus" and "Master".
Book
Artt, S. (2012)
Ambulant Fetish: the exotic woman in "Black Venus" and "Master". In S. Andermahr, & L. Phillips (Eds.), Angela Carter: New Critical Readings, 176-186. Continuum
Why we do not adapt Jean Rhys
Book Chapter
Artt, S. (2020)
Why we do not adapt Jean Rhys. In M. Stewart, & R. Munro (Eds.), Intercultural Screen Adaptation: British and Global Case Studies. Edinburgh: Edinburgh University Press
Abstract not available.
Silence and performance: appreciating Lynne Ramsay's "Morven Callar".
Presentation / Conference
Artt, S. (2010, July)
Silence and performance: appreciating Lynne Ramsay's "Morven Callar". Paper presented at 20th International Screen Studies Conference, University of Glasgow
The woman behind the screen: adapting Edith Wharton's The House of Mirth.
Presentation / Conference
Artt, S. (2007, October)
The woman behind the screen: adapting Edith Wharton's The House of Mirth. Paper presented at Women's History Scotland Annual Conference, Smith Art Gallery, Stirling
Art of the past: adapting Henry James's The Golden Bowl.
Journal Article
Artt, S. (2006)
Art of the past: adapting Henry James's The Golden Bowl. Journal of Adaptation in Film and Performance. 1, 5-16. doi:10.1386/japf1.1.5/1. ISSN 1753-6421
This article deals with James Ivory's screen adaptation of Henry James's novel The Golden Bowl. The analysis draws on the use of fine art motifs in the mise-en-scne and the us...