Book Review - The Romance of Transgression in Canada: queering sexualities, nations, cinemas by Thomas Waugh.
Journal Article
Artt, S. (2009)
Book Review - The Romance of Transgression in Canada: queering sexualities, nations, cinemas by Thomas Waugh. Scope an on-line journal of film studies,
Vienna to Beijing: letter from an unknown woman, melodrama and the symbolic simulation of Europe.
Presentation / Conference
Artt, S. (2010, October)
Vienna to Beijing: letter from an unknown woman, melodrama and the symbolic simulation of Europe. Paper presented at Symposium on melodrama in contemporary film and television, Queen Margaret University
Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions.
Presentation / Conference
Artt, S. (2010, October)
Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions. Paper presented at 5th annual Association of adaptation Studies Conference, Centre for British Studies, Berlin
Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens.
Presentation / Conference
Artt, S. (2008, July)
Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. Paper presented at 21st Century Teenager: medai representation, theory and policy, Trinity & All Saints College, Leeds
'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close.
Book Chapter
Artt, S. (2018)
'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. In M. Pietrzak-Franger, N. Pleßke, & E. Voigts (Eds.), Transforming Cities (91-106). Heidelberg, Germany: Universitätsverlag Winter
The figure of the prostitute has long been associated with the city and although prostitution may take place anywhere, the connection between female prostitution and the city ...
Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair".
Presentation / Conference
Artt, S. (2006, July)
Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". Paper presented at Migrant and Diasporic Cinema in Contemporary Europe, Oxford Brookes University