Reflections on the Self-Reflexive Musical: The Rocky Horror Picture Show and the Classic Hollywood Musical
Book Chapter
Artt, S. (2008)
Reflections on the Self-Reflexive Musical: The Rocky Horror Picture Show and the Classic Hollywood Musical. In J. Weinstock (Ed.), Reading Rocky Horror: The Rocky Horror Picture Show and Popular CulturePalgrave Macmillan
No abstract available.
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black.
Journal Article
Artt, S., & Schwan, A. (2016)
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6
Introduction to the special edition of Television & New Media.
Silence, Melancholia and Science Fiction: Jonathan Glazer's Under the Skin.
Presentation / Conference
Artt, S. (2014, August)
Silence, Melancholia and Science Fiction: Jonathan Glazer's Under the Skin. Paper presented at Becoming Scotland, Queen Margaret University
In 'On the Melancholic Imaginary' Julia Kristeva notes that epochs of crisis are especially prone to black humour and melancholy: "In times of crisis... melancholy imposes its...
Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe.
Book Chapter
Artt, S. (2014)
Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In M. Stewart (Ed.), Melodrama in Contemporary Film and Television (July 2014) (171-186). Palgrave
No abstract available.
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror
Journal Article
Artt, S. (2018)
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, 11(2), 257-275. https://doi.org/10.3828/sfftv.2018.18
This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein ...
Silence and performance: appreciating Lynne Ramsay's "Morven Callar".
Presentation / Conference
Artt, S. (2010, July)
Silence and performance: appreciating Lynne Ramsay's "Morven Callar". Paper presented at 20th International Screen Studies Conference, University of Glasgow
Being Inside Her Silence: silence and performance in Lynne Ramsay's Morvern Callar.
Journal Article
Artt, S. (2013)
Being Inside Her Silence: silence and performance in Lynne Ramsay's Morvern Callar. Scope an on-line journal of film studies,
The woman behind the screen: adapting Edith Wharton's The House of Mirth.
Presentation / Conference
Artt, S. (2007, October)
The woman behind the screen: adapting Edith Wharton's The House of Mirth. Paper presented at Women's History Scotland Annual Conference, Smith Art Gallery, Stirling
'Not Enough of Him' Technology and Melancholia in 'Be Right Back'.
Journal Article
Artt, S. (2015)
'Not Enough of Him' Technology and Melancholia in 'Be Right Back'. In media res: a media commons project,
Irony: adapting Jane Austen's Northaner Abbey.
Presentation / Conference
Artt, S. (2009, September)
Irony: adapting Jane Austen's Northaner Abbey. Paper presented at 4th Annual Association of Adaptation Studies Conference, BFI, Southbank