Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black.
Journal Article
Artt, S., & Schwan, A. (2016)
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6
Introduction to the special edition of Television & New Media.
Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe.
Book Chapter
Artt, S. (2014)
Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In M. Stewart (Ed.), Melodrama in Contemporary Film and Television (July 2014) (171-186). Palgrave
No abstract available.
The woman behind the screen: adapting Edith Wharton's The House of Mirth.
Presentation / Conference
Artt, S. (2007, October)
The woman behind the screen: adapting Edith Wharton's The House of Mirth. Paper presented at Women's History Scotland Annual Conference, Smith Art Gallery, Stirling
Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens.
Presentation / Conference
Artt, S. (2008, July)
Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. Paper presented at 21st Century Teenager: medai representation, theory and policy, Trinity & All Saints College, Leeds
Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair".
Presentation / Conference
Artt, S. (2006, July)
Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". Paper presented at Migrant and Diasporic Cinema in Contemporary Europe, Oxford Brookes University