4 results

Visualising the soundfield and soundscape: extending Macaulay and Crerar’s 1998 method

Conference Proceeding
McGregor, I., Crerar, A., Benyon, D., & LePlâtre, G. (2008)
Visualising the soundfield and soundscape: extending Macaulay and Crerar’s 1998 method. In Proceedings of the 14th International Conference on Auditory Display
The introduction of effective auditory warnings into a shared environment requires a prior understanding of the existing soundfield and soundscape. Reifying the physical and p...

Evaluating a vehicle auditory display: comparing a designer's expectations with listeners' experiences

Conference Proceeding
McGregor, I., Larsson, P., & Turner, P. (2011)
Evaluating a vehicle auditory display: comparing a designer's expectations with listeners' experiences. In ECCE '11: Proceedings of the 29th Annual European Conference on Cognitive Ergonomics (89-92). https://doi.org/10.1145/2074712.2074731
This paper illustrates a method for the early evaluation of auditory displays in context. A designer was questioned about his expectations of an auditory display for Heavy Goo...

Workplace soundscape mapping: a trial of Macaulay and Crerar’s method

Conference Proceeding
McGregor, I., Crerar, A., Benyon, D., & LePlâtre, G. (2006)
Workplace soundscape mapping: a trial of Macaulay and Crerar’s method. In Proceedings of the 12th International Conference on Auditory Display (ICAD2006)
This paper describes a trial of Macaulay and Crerar’s method of mapping a workplace soundscape to assess its fitness as a basis for an extended soundscape mapping method. Twel...

Establishing key dimensions for reifying soundfields and soundscapes from auditory professionals.

Conference Proceeding
McGregor, I., Crerar, A., Benyon, D., & LePlâtre, G. (2007)
Establishing key dimensions for reifying soundfields and soundscapes from auditory professionals. In Proceedings of the 13th International Conference on Auditory Display (364-371
This paper presents a unique insight into the way acousticians, computing specialists and sound designers describe the dimensions of sound they use. Seventy-five audio profess...