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135 results

Counter-culture and underground

Book Chapter
Atton, C. (2019)
Counter-culture and underground. In A. Nash, C. Squires, & I. R. Willison (Eds.), Cambridge History of the Book in Britain, Volume 7: The Twentieth Century and Beyond. Cambridge: Cambridge University Press
Abstract not available.

The Absent Presence of Progressive Rock in the British Music Press, 1968-1974

Journal Article
Anderton, C., & Atton, C. (2020)
The Absent Presence of Progressive Rock in the British Music Press, 1968-1974. Rock Music Studies, 7(1), 8-22. https://doi.org/10.1080/19401159.2019.1651521
The upsurge of academic interest in the genre known as progressive rock has taken much for granted. In particular, little account has been taken of how discourses surrounding...

Challenging authenticity: fakes and forgeries in rock music

Journal Article
Atton, C. (2019)
Challenging authenticity: fakes and forgeries in rock music. Popular Music, 38(2), 204-218. https://doi.org/10.1017/S0261143019000084
Authenticity is a key concept in the evaluation of rock music by critics and fans. The production of fakes challenges the means by which listeners evaluate the authentic, by ...

Continental Drift: 50 years of jazz from Europe

Conference Proceeding
Medboe, H., Bares, W., Webster, E., Frost Fadnes, P., Inglis, C., Kahr, M., …Heyman, M. (2017)
Continental Drift: 50 years of jazz from Europe. In Z. Moir, & C. Atton (Eds.), Continental Drift: 50 years of jazz from Europe - Conference Proceedings. , (v-vi
Following popular exposure in France to the proto-jazz of James Reese Europe and his 369th “Harlem Hellfighters” Infantry Regiment during the latter years of WW1, the jazz bug...

Between the avant-garde and the popular: the discursive economy of Brian Eno’s musical practices

Book Chapter
Atton, C. (2016)
Between the avant-garde and the popular: the discursive economy of Brian Eno’s musical practices. In S. Albiez, & D. Pattie (Eds.), Brian Eno: Oblique Music, (69-83). Bloomsbury Publishing
No abstract available.

Fanzines: enthusiastic production through popular culture

Book Chapter
Atton, C. (2015)
Fanzines: enthusiastic production through popular culture. In C. Atton (Ed.), Routledge companion to alternative and community media (437-444). Routledge
No abstract available.

Writing about popular music: continuity, change and convergence in a digital age.

Book Chapter
Atton, C. (2015)
Writing about popular music: continuity, change and convergence in a digital age. In F. Trumpi, & S. Obert (Eds.), Musikkritik: Historische Zugänge und systematische Perspektiven, (11-32). Mille Tre Verlag
No abstract available.

The Routledge companion to alternative and community media

Book
Atton, C. (Ed.)
(2015). The Routledge companion to alternative and community media. Abingdon: Routledge
The Routledge Companion to Alternative and Community Media provides an authoritative and comprehensive examination of the diverse forms, practices and philosophies of alternat...

Peripheral visions? Alternative film in a stateless nation.

Book Chapter
MacPherson, R. (2015)
Peripheral visions? Alternative film in a stateless nation. In C. Atton (Ed.), The Routledge Companion to Alternative and Community Media, (268-277). Routledge
Scotland is a small, stateless nation whose mainstream media and national cinema have generally been positioned by media scholars as constituting an alternative to the UK’s m...

Introduction: problems and positions in alternative and community media.

Book
Atton, C. (2014)
Introduction: problems and positions in alternative and community media. In C. Atton (Ed.), Routledge companion to alternative and community media, 1-18. Routledge

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Qualification level

31 results

Electronic Music Performance and the Perception of Audiences

2021 - date
Euan Pattie | Director of Studies: Dr Paul Harkins | Second Supervisor: Prof Chris Atton

Film Bang: Communities of Practice, Cross Media Interconnections, and Sectoral Growth within Scotland's Film and Television Industries

2021 - date
This research project investigates the historical evolution of the...
Nelson Correia | Director of Studies: Dr Alistair Scott | Second Supervisor: Dr Kirsten MacLeod

Covid-19, Lockdown and the Impact on Live Performances and Audiences: will there be greater engagement with live musical performance in online settings allowing for the creation of cultural value?

2021 - date
Melanie Self | Director of Studies: Prof Chris Atton | Second Supervisor: Dr Calum Neill

Hip-hop pedagogy in Scotland as early intervention in mainstream and community education

2020 - date
Rebecca Wallace | Director of Studies: Dr Dave Hook | Second Supervisor: Dr Paul Harkins

'Mate I’m so Scottish that a makes the Nats cringe'

2020 - date
David Lockhart | Director of Studies: Dr Dave Hook | Second Supervisor: Dr Paul Harkins

SQA Music Qualifications as Preperation for Music Degrees: An Investigation

2020 - date
Rebekah Donn | Director of Studies: Dr Zack Moir | Second Supervisor: Mr Bryden Stillie

Work on the move: mobilities of creativity and design ideation

2018 - 2021
Dr Richard Firth | Director of Studies: Prof Chris Atton | Second Supervisor: Dr Paul Thompson

Publishing empires: picturebook publishing on the peripheries of Europe

2017 - date
Rita Faire | Director of Studies: Prof Chris Atton | Second Supervisor: Avril Gray

An autoethnography of Scottish hip-hop: social commentary, outsiderdom, locality and authenticity

2016 - 2018
Dr Dave Hook | Director of Studies: Prof Haftor Medboe

A vast shadow house: Critical and creative responses to David Lindsay’s vision

2015 - 2021
Dr Seán Martin | Director of Studies: Dr C. Paul Sellors | Second Supervisor: Dr Sarah Artt

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