Counter-culture and underground
Book Chapter
Atton, C. (2019)
Counter-culture and underground. In A. Nash, C. Squires, & I. R. Willison (Eds.), Cambridge History of the Book in Britain, Volume 7: The Twentieth Century and Beyond. Cambridge: Cambridge University Press
Abstract not available.
The Absent Presence of Progressive Rock in the British Music Press, 1968-1974
Journal Article
Anderton, C., & Atton, C. (2020)
The Absent Presence of Progressive Rock in the British Music Press, 1968-1974. Rock Music Studies, 7(1), 8-22. https://doi.org/10.1080/19401159.2019.1651521
The upsurge of academic interest in the genre known as progressive rock has taken much for granted. In particular, little account has been taken of how discourses surrounding...
Challenging authenticity: fakes and forgeries in rock music
Journal Article
Atton, C. (2019)
Challenging authenticity: fakes and forgeries in rock music. Popular Music, 38(2), 204-218. https://doi.org/10.1017/S0261143019000084
Authenticity is a key concept in the evaluation of rock music by critics and fans. The production of fakes challenges the means by which listeners evaluate the authentic, by ...
Continental Drift: 50 years of jazz from Europe
Conference Proceeding
Medboe, H., Bares, W., Webster, E., Frost Fadnes, P., Inglis, C., Kahr, M., …Heyman, M. (2017)
Continental Drift: 50 years of jazz from Europe. In Z. Moir, & C. Atton (Eds.), Continental Drift: 50 years of jazz from Europe - Conference Proceedings. , (v-vi
Following popular exposure in France to the proto-jazz of James Reese Europe and his 369th “Harlem Hellfighters” Infantry Regiment during the latter years of WW1, the jazz bug...
Between the avant-garde and the popular: the discursive economy of Brian Eno’s musical practices
Book Chapter
Atton, C. (2016)
Between the avant-garde and the popular: the discursive economy of Brian Eno’s musical practices. In S. Albiez, & D. Pattie (Eds.), Brian Eno: Oblique Music, (69-83). Bloomsbury Publishing
No abstract available.
Fanzines: enthusiastic production through popular culture
Book Chapter
Atton, C. (2015)
Fanzines: enthusiastic production through popular culture. In C. Atton (Ed.), Routledge companion to alternative and community media (437-444). Routledge
No abstract available.
Writing about popular music: continuity, change and convergence in a digital age.
Book Chapter
Atton, C. (2015)
Writing about popular music: continuity, change and convergence in a digital age. In F. Trumpi, & S. Obert (Eds.), Musikkritik: Historische Zugänge und systematische Perspektiven, (11-32). Mille Tre Verlag
No abstract available.
The Routledge companion to alternative and community media
Book
Atton, C. (Ed.)
(2015). The Routledge companion to alternative and community media. Abingdon: Routledge
The Routledge Companion to Alternative and Community Media provides an authoritative and comprehensive examination of the diverse forms, practices and philosophies of alternat...
Peripheral visions? Alternative film in a stateless nation.
Book Chapter
MacPherson, R. (2015)
Peripheral visions? Alternative film in a stateless nation. In C. Atton (Ed.), The Routledge Companion to Alternative and Community Media, (268-277). Routledge
Scotland is a small, stateless nation whose mainstream media and national cinema have generally been positioned by media scholars as constituting an alternative to the UK’s m...
Introduction: problems and positions in alternative and community media.
Book
Atton, C. (2014)
Introduction: problems and positions in alternative and community media. In C. Atton (Ed.), Routledge companion to alternative and community media, 1-18. Routledge