Sellors, C. P. (2016). Casual Lecturers in UK Universities: A View from/off the Edge of Europe. Cinema Journal Teaching Dossier. 4(2)
Sellors, C. P. (2013). "What in the World Distinguishes Fiction from Nonfiction Film?". Film and Philosophy, 18, (105-123). ISSN 1073-0427
Advocates of blurred boundaries between fiction and nonfiction film identify shared narrative and representational practices to justify scepticism about nonfiction film’s abil...
Sellors, C. P. (2009). Film Authorship: Auteurs and Other Myths. Wallflower Press
Few topics in the study of film produce controversy like authorship. Critics, historians and theoreticians have debated the most important film authors, argued vociferously ab...
Sellors, C. P. (2007). Collective Authorship in Film. Journal of Aesthetics and Art Criticism. 65, 263-271. doi:10.1111/j.1540-594X.2007.00257.x. ISSN 0021-8529
Sellors, C. P. (2006). A Realist Account of Fiction. Film and philosophy. 10, 51-66. ISSN 1073-0427
A realist account of fiction.
Sellors, C. P. (2003). Senso. In Bertellini, G. (Ed.). The Cinema of Italy, 63-71. Wallflower Press. ISBN 1-903364-98-1
Sellors, C. P. (2001). Grafting Union Square onto the Old Rialto: Film-Going within Industrial Society. Living pictures : the journal of the popular and projected image before 1914. 1, 38-57. ISSN 1467-0577
Sellors, C. P. (2000). The Impossibility of Science Fiction: Against Buckland's Possible Worlds. Screen. 41(2), 203-216. doi:10.1093/screen/41.2.203. ISSN 0036-9543
The Impossibility of Science Fiction: Against Buckland's Possible Worlds.
Sellors, C. P. (2008). Review of Kathryn H. Fuller-Seeley (ed.) Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing and Paul S. Moore Now Playing: Early Moviegoing and the Regulation of Fun. Screen. 50, 266-270. doi:10.1093/screen/hjp009. ISSN 0036-9543
Sellors, C. P. (2015, January). The Gift of Not Giving: On Pedagogical Parsimony. Paper presented at Edinburgh Napier Teaching Fellows Conference, Edinburgh Napier University
Sellors, C. P. Drawing a Clear Line between Fact and Fiction in the Animated Documentary. Paper presented at Animated Realities Conference, Edinburgh College of Art, Edinburgh, Scotland
The assertion that certain means of cinematic representation in documentary filmmaking, such as animation, blurs boundaries between fact and fiction rests on misconceptions ab...
Sellors, C. P. “A Business Pure and Simple:” Film, Copyright, and Problems for Defining Authorship
I examine the underlying, and somewhat incompatible principles of hermeneutic, legal (UK), and empirical definitions of authorship. In this analysis I consider how the distinc...
In the mid-1960s and early 1970s, experimental ...
The subject of this study is Sub-Sahara Africa Anglophone Video-moviemaking and the
research process is an emp...