Chris Neilan
chris neilan

Dr Chris Neilan

Lecturer

Biography

Dr Chris Neilan is an award-winning author, screenwriter and filmmaker with a PhD in creative writing from Manchester Metropolitan University focused on unconventional narrative structures. He was shortlisted for the 2016 Sundance Screenwriters Lab and the 2021 Sundance Development Track, and his films have played at 16 international film festivals and won several awards. He was awarded 2nd place for Short Fiction in the 2017 Bridport Prize, shortlisted for the 2020 Aurora Prize and the 2021 Bridport Prize, and nominated for the 2021 Pushcart Prize, the 2021 Shirley Jackson Awards and the 2021 & 2022 Best Small Fictions anthology. His hybrid novel, Stellify, was published by Broken Sleep Books in Jan 2022.

His production company, Gor Gai Films, specializes in humanitarian documentaries. Past films have focused on issues affecting ethnic minorities and refugees in Burma and Thailand, including the 25min documentary Welcome to Thoo Mweh Khee which screened at the 2021 Manchester International Film Festival and won Best Documentary at the 2021 Demetera International Film Festival in Paris, amongst other festival selections and awards, and was picked up for international distribution by Journeyman Pictures. He is currently at work on feature projects, both documentary and narrative, in the UK and US. He has forthcoming academic writing in the Journal of Screenwriting and The Bloomsbury Handbook of International Screenwriting Theory, and is developing his own screenwriting handbook for Bloomsbury based on his PhD thesis. He has presented on screenwriting at international conferences in the UK, Oslo and Vienna. He created and co-hosts the podcast Two Minute Stories with poet-novelist Helen Mort and poet Mark Pajak, and is a former writer-in-residence for New Writing North.

Date


16 results

Beyond the Monoplot: How to Write Unconventional Films (and Why We Should)

Book
Neilan, C. (2025)
Beyond the Monoplot: How to Write Unconventional Films (and Why We Should). Bloomsbury Publishing
This book provides a toolkit for unconventional practice-a comprehensive list of unconventional story shapes and the meanings they create, with accompanying case studies, incl...

We need to talk about Lynne: Modular structure as a reflection of the traumatized psyche in We Need to Talk about Kevin

Journal Article
Neilan, C. (2024)
We need to talk about Lynne: Modular structure as a reflection of the traumatized psyche in We Need to Talk about Kevin. Journal of Screenwriting, 15(3), 257-271. https://doi.org/10.1386/josc_00162_1
Conventional linear three-act structure has become the dominant form in anglophone screen industries and creates a particular meaning and viewing experience. Modular structure...

Creative Play Working Group Live Session

Presentation / Conference Contribution
Neilan, C. (2024, September)
Creative Play Working Group Live Session. Presented at Screenwriting Research Network Conference 2024, Palacky University, Olomouc, Czechia
A live session of the SRN Creative Play Working Group, exploring methods for nurturing creative screenwriting practice in the classroom. With guest presentations from Ben Bro...

No Alarms and No Surprises: A Modern History of the One-Act Feature Film

Presentation / Conference Contribution
Neilan, C. (2024, September)
No Alarms and No Surprises: A Modern History of the One-Act Feature Film. Paper presented at Screenwriting Research Network Conference 2024, Palacky University, Olomouc, Czechia
In Story (1997), Robert McKee stated confidently that three-acts were the minimum for a feature-length film, declaring that the one-act form was suitable only for the short st...

A Story of Bones: Absorbing Documentary Unearths Colonial Crimes in St Helena

Newspaper / Magazine
Neilan, C. (2024)
A Story of Bones: Absorbing Documentary Unearths Colonial Crimes in St Helena
A community’s fight to properly honour the 9,000 formally enslaved Africans found in a mass grave in Saint Helena tells a wider story of traumatic colonial legacy in Dominic A...

Self-Shooting the Humanist Documentary

Presentation / Conference Contribution
Neilan, C. (2024, July)
Self-Shooting the Humanist Documentary. Paper presented at Times In-Between Conference and Film Festival: Barriers, Borders, and Boundaries in Short Film Forms, Gorizia, Italy
In ethnographic documentary traditions, the medium of film and video is used to communicate cultural knowledge and experiences (Gill, 2020). Jean Rouch advocated developing ‘...

Moving Away from the Monoplot: Teaching Unconventional Narrative Structures

Presentation / Conference Contribution
Neilan, C. (2024, February)
Moving Away from the Monoplot: Teaching Unconventional Narrative Structures. Presented at Screenwriting Research Network - Working Group on Comparative Screenwriting Teaching, Online

Writing the Cine-Poetic: an Analysis of Screenwriting Technique in the Cinema of Lynne Ramsay

Presentation / Conference Contribution
Neilan, C. (2023, September)
Writing the Cine-Poetic: an Analysis of Screenwriting Technique in the Cinema of Lynne Ramsay. Paper presented at Screenwriting Research Network Conference 2023, Stephens College, Missouri, USA
Lynne Ramsay has been called one of the most distinctive British filmmakers of her generation, yet despite her renown as a director she rarely receives attention nor credit fo...

Themes & Processes for Humanitarian Documentary Filmmaking

Presentation / Conference Contribution
Neilan, C. (2023, April)
Themes & Processes for Humanitarian Documentary Filmmaking. Presented at Hard Cases study group, Antonio Meneghetti College, Recanto Maestro, Brazil & Online
A presentation of documentary films and discussion of the techniques used within those films, and their connection to a humanist ideology.

Experimental Screenwriting: the Importance of Breaking the Rules

Presentation / Conference Contribution
Neilan, C. (2023, March)
Experimental Screenwriting: the Importance of Breaking the Rules. Paper presented at AR@K23 Symposium, Kristiania University College, Oslo, Norway
Modern screenwriting handbooks by self-styled gurus have been broadly criticized within the academy for restricting and revoking screenwriting practice, both noticing and conc...