36 results

Sex Sounds: On Aural Explicitness in Call Me by Your Name

Book Chapter
Artt, S. (in press)
Sex Sounds: On Aural Explicitness in Call Me by Your Name. In E. Lamberti, & M. Williams (Eds.), Call Me By Your Name: Perspectives on the Film. Bristol: Intellect

Quiet Pictures: Women and Silence in Contemporary British and French Cinema

Book
Artt, S. (in press)
Quiet Pictures: Women and Silence in Contemporary British and French Cinema. London: Bloomsbury Publishing
Quiet Pictures approaches the films of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilovicthrough the lens of silence as a motif and texture. This book takes ...

Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm

Presentation / Conference
Artt, S. (2022, June)
Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm. Paper presented at Association of Adaptation Studies annual conference, University of Lisbon, Portugal
In Dune (Denis Villeneuve, 2021), the much-anticipated adaptation of the Frank Herbert series, Charlotte Rampling briefly appears as Mother Helen Mohiam, high priestess of the...

Why we do not adapt Jean Rhys

Book Chapter
Artt, S. (2020)
Why we do not adapt Jean Rhys. In M. Stewart, & R. Munro (Eds.), Intercultural Screen Adaptation: British and Global Case Studies. Edinburgh: Edinburgh University Press
Abstract not available.

Jennifer L. Feeley and Sarah Ann Wells (eds), Simultaneous Worlds: Global Science Fiction Cinema

Journal Article
Artt, S. (2018)
Jennifer L. Feeley and Sarah Ann Wells (eds), Simultaneous Worlds: Global Science Fiction Cinema. Screen, 59(4), 556-558. https://doi.org/10.1093/screen/hjy050

‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror

Journal Article
Artt, S. (2018)
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, 11(2), 257-275. https://doi.org/10.3828/sfftv.2018.18
This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein ...

'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close.

Book Chapter
Artt, S. (2018)
'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. In M. Pietrzak-Franger, N. Pleßke, & E. Voigts (Eds.), Transforming Cities (91-106). Heidelberg, Germany: Universitätsverlag Winter
The figure of the prostitute has long been associated with the city and although prostitution may take place anywhere, the connection between female prostitution and the city ...

The Postfeminist Tart: Neo-Victorian Villainy and Sex Work in Ripper Street

Book
Artt, S. (2017)
The Postfeminist Tart: Neo-Victorian Villainy and Sex Work in Ripper Street. In B. Poore (Ed.), Neo-Victorian Villains: adaptations and transformations in popular cultureLeiden; Boston;: Brill Academic Publishers
This chapter examines the trajectory of Rose, the recurring victim-heroine of Ripper Street and the villains that define her. Ripper Street appears initially as an example of ...

Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black.

Journal Article
Artt, S., & Schwan, A. (2016)
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6
Introduction to the special edition of Television & New Media.

'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close.

Presentation / Conference
Artt, S. (2015, July)
'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. Paper presented at Tranforming Cities, University of Braunschweig, Germany
Maison Close offers us the sex worker as anti-flâneuse, a woman whose movement is thoroughly circumscribed by the walls of the brothel and yet is defined by her license as a '...

Date


8 results

Is there a space of performativity which is neither and/or both masculine or feminine?

2023 - date
Mx Ashley Stein | Director of Studies: Dr Paul Harkins | Second Supervisor: Dr Sarah Artt

Undoing otherness: the postcolonial literary vampire as an intersectional response to the oppression of racial minorities in imperial Gothic

2020 - date
Hannah Barretto | Director of Studies: Dr Emily Alder | Second Supervisor: Dr Sarah Artt

Watching Play: Analysing Live Streaming's Affordances to Challenge the Traditional Ways of Understanding Play

2019 - date
Viviana Susanna | Director of Studies: Dr Tara Thomson | Second Supervisor: Dr Sarah Artt

‘Abjection hurts’: Race, class, gender, and the demand for a contemporary reworking of the Kristevan abject

2019 - date
Chiara Margiotta | Director of Studies: Dr Sarah Artt | Second Supervisor: Dr Arin Keeble

Nineteenth-century girls and authorship: adolescent writing, appropriation, and its representation in literature, c 1860-1900

2015 - 2019
My PhD research focuses on the lived experience and literary representation...
Dr Lois Burke | Director of Studies: Prof Anne Schwan | Second Supervisor: Dr Sarah Artt

A vast shadow house: Critical and creative responses to David Lindsay’s vision

2015 - 2021
Dr Seán Martin | Director of Studies: Dr C. Paul Sellors | Second Supervisor: Dr Sarah Artt

English-language reading in the Netherlands and its consequences on Dutch-language publishing

2014 - 2020
"My research aims to assess the impact that growing proficiency in English has on the European book market....
Giulia Trentacosti | Director of Studies: Dr Nick Pilcher | Second Supervisor: Prof Alistair Mccleery

Between the cracks: theme, screenwriting and visual structure

2012 - 2016
David Crawford | Director of Studies: Dr C. Paul Sellors | Second Supervisor: Mr James Mavor

Date