The Impossibility of Science Fiction: Against Buckland's Possible Worlds
Journal Article
Sellors, C. P. (2000)
The Impossibility of Science Fiction: Against Buckland's Possible Worlds. Screen, 41(2), 203-216. doi:10.1093/screen/41.2.203
The Impossibility of Science Fiction: Against Buckland's Possible Worlds.
Tarkovsky's Andrei Rublev: A Journey
Digital Artefact
Milne, L., & Martin, S. (2018)
Tarkovsky's Andrei Rublev: A Journey. [Film]
30 mins
A commission from Criterion film for a special release of Andrei Tarkovsky's Andrei Rublev
A poetic documentary about the making of Tarkovsky's Andrei Rublev, with n...
You Play Your Part – Older Women on Screen and in Production
Book Chapter
Macleod, K. (2015)
You Play Your Part – Older Women on Screen and in Production. In H. Savigny, E. Thorsen, D. Jackson, & J. Alexander (Eds.), Media, Margins And Popular Culture (28-40). London: Palgrave Macmillan. https://doi.org/10.1057/9781137512819_3
This chapter draws on the author’s practice-led research in community-based media to explore how participatory production techniques and strategies create opportunities to inc...
One and Three Discs (after Kosuth)
Presentation / Conference
Holmes, P. (2018, September)
One and Three Discs (after Kosuth). Presented at Creative Legacies: Collaborative Practices for Digital Cultural Heritage
It is over 50 years since Joseph Kosuth’s conceptual work One and Three Chairs (1965) challenged its viewer to locate the “real” by choosing between an object & its visual or ...
Film: Halfway Home
Digital Artefact
Gray, P. (2008)
Film: Halfway Home
34-year old Melanie lives with the knowledge she will die within 10 years due to autoimmune disease. Having survived a near fatal operation, Melanie escaped the stresses of ci...
Between the Cracks: Theme, Screenwriting and Visual Structure
Thesis
Crawford, D. N. (2016)
Between the Cracks: Theme, Screenwriting and Visual Structure. (Thesis). Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/Output/453033
This research explores the manual approach to screenwriting and finds that the element of theme is not examined with the same analytical focus as other primary elements, plot,...
Malaysian cinema and negotiations with modernity: film and anthropology.
Thesis
Gray, G. T. Malaysian cinema and negotiations with modernity: film and anthropology. (Thesis)
Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/id/eprint/4485
This thesis examines Malaysian cinema in the context of the various processes and
discourses of modernity. Analysing the processes of modernity which Malaysians
are engaged wi...
Film: And Violet, Official Selection, Arizona International Film Festival, April 27, 2017
Exhibition / Performance
Gray, P. Film: And Violet, Official Selection, Arizona International Film Festival, April 27, 2017. 19 April 2017 - 30 April 2017. (Unpublished))
Gray, P. Film: And Violet, Official Selection, Arizona International Film Festival, April 27, 2017. 19 April 2017 - 30 April 2017. (Unpublished
And Violet screened on 27th April at the 26th Arizona International Film Festival, the longest running film festival in Arizona, at The Screening Room, Downtown Tucson.
Anglophone Sub-Sahara Africa video industry : a new paradigmatic practice of moviemaking
Thesis
Boateng, K. Anglophone Sub-Sahara Africa video industry : a new paradigmatic practice of moviemaking. (Thesis)
Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/id/eprint/6055
The subject of this study is Sub-Sahara Africa Anglophone Video-moviemaking and the research process is an empirical enquiry into how this contemporary cultural industry has e...
Drawing a Clear Line between Fact and Fiction in the Animated Documentary.
Presentation / Conference
Sellors, C. P. (2011, June)
Drawing a Clear Line between Fact and Fiction in the Animated Documentary. Paper presented at Animated Realities Conference, Edinburgh College of Art, Edinburgh, Scotland
The assertion that certain means of cinematic representation in documentary filmmaking, such as animation, blurs boundaries between fact and fiction rests on misconceptions ab...