19 results

The role of iconic-historic commemorative events in event tourism: Insights from the 20th and 25th anniversaries of the fall of the Berlin Wall

Journal Article
Viol, M., Todd, L., Theodoraki, E., & Anastasiadou, C. (2018)
The role of iconic-historic commemorative events in event tourism: Insights from the 20th and 25th anniversaries of the fall of the Berlin Wall. Tourism Management, 69, 246-262. https://doi.org/10.1016/j.tourman.2018.06.018
The role of commemorative events for event tourism has received marginal attention. Existing research primarily considers commemorative events for their social and political s...

Festival Images: brand image and stakeholders' brand relationship types at the Edinburgh Festival Fringe

Thesis
Todd, L. A. Festival Images: brand image and stakeholders' brand relationship types at the Edinburgh Festival Fringe. (Thesis)
Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/id/eprint/4344
The Edinburgh Festival Fringe (The Fringe) is the largest arts festival in the world and it has inspired the creation of similar festivals world-wide. Since its conception in ...

'Edinburgh the ‘festival city’ and hallmark event tourism': invited research lecture and seminar

Presentation / Conference
Todd, L. (2018, October)
'Edinburgh the ‘festival city’ and hallmark event tourism': invited research lecture and seminar. Presented at Leisure Talks' series, Manchester Institute of Education, University of Manchester
The ‘festival city’ has become a topic of theoretical debate within tourism and events research. In strategic destination management practice a festival city presents a signif...

The Semiotic Paradigm for Deconstructing Event Design and Meaning

Journal Article
Viol, M., Todd, L., & Anastasiadou, C. (2023)
The Semiotic Paradigm for Deconstructing Event Design and Meaning. Event Management, 27(7), 1063-1079. https://doi.org/10.3727/152599523X16847420514728
Festivals and events convey a range of historical, political, social and cultural signs and meanings, however, there remains limited methodological guidance for understanding ...

Semiotics of Edinburgh’s Festival City Place-Myth: Management and Community Stakeholders’ Visual Representations of Festival Spaces

Book Chapter
Todd, L. (2022)
Semiotics of Edinburgh’s Festival City Place-Myth: Management and Community Stakeholders’ Visual Representations of Festival Spaces. In A. Smith, G. Osborn, & B. Quinn (Eds.), Festivals and the City: The Contested Geographies of Urban Events (187-208). London: University of Westminster Press. https://doi.org/10.16997/book64.k
This chapter explores how two distinct strategic management and local community stakeholder groups engage with a festival city through their visual portrayals of spaces. Infor...

Meanings and myths: Semiotics of Edinburgh Castle

Presentation / Conference
Todd, L., & Furger, T. (2018, May)
Meanings and myths: Semiotics of Edinburgh Castle. Paper presented at Royal Anthropological Institute’s (RAI) Annual Conference: Art, Materiality and Representation, the Royal Anthropological Institute, The Department Of Africa, Oceania And The Americas Of The British Museum And The Department Of Anthropology At SOAS, London
Short abstract We will present initial themes from my study into the semiotics of Edinburgh Castle through analysing shared online images. As a semiotic sign, Edinburgh Castle...

Materiality, memories and lived event tourism experiences

Presentation / Conference
Todd, L., Leask, A., & Ensor, J. (2017, June)
Materiality, memories and lived event tourism experiences. Presented at Critical Tourism Studies: Understand Tourism- Change Tourism, Understand Ourselves - Change Ourselves
Our paper furthers understanding of lived experiences in tourism settings as remembered by informants. We propose the value of a phenomenological ‘artefact elicitation’ method...

SotF 2017: The Fringe: My BFF. This Media Podcast was recorded alongside public engagement event: Dr Louise Todd, The Fringe: My BFF', 'Skeptics on the Fringe 2017.

Digital Artefact
Todd, L. (2018)
SotF 2017: The Fringe: My BFF. This Media Podcast was recorded alongside public engagement event: Dr Louise Todd, The Fringe: My BFF', 'Skeptics on the Fringe 2017
Often skeptics are charged with only concentrating on hard, physical sciences. Well, that shouldn't be the case. Recorded during our 2017 Edinburgh Fringe run, this talk from ...

Semiotics of the festival city: exploring the visual culture of Edinburgh. . Paper presented at Special Track: Visual Tourism

Presentation / Conference
Todd, L., & Logan-McFarlane, A. (2020, September)
Semiotics of the festival city: exploring the visual culture of Edinburgh. . Paper presented at Special Track: Visual Tourism. Paper presented at ATLAS annual conference 2020: Tourism as a driver of regional development and collaboration, Online
This paper presents emerging themes from our study of the semiotics that sustain the visual culture, consumption and place myth of Edinburgh, as the ‘world’s leading festival ...

Tourist Art and Commodification

Conference Proceeding
Todd, L. (in press)
Tourist Art and Commodification. In Proceedings of Art, Materiality and Representation
Panel 106: Tourist Art and Commodification Short abstract The visual consumption and depiction of material and experiential phenomena have become increasingly pertinent in con...

Date


Date


5 results

Festival Frontiers: The Festival City.

Edinburgh International Science Festival, Lomond Room, Pleasance, Edinburgh
8 April 2019

Universities of Scotland Events Conference, 2017 (USEC2017)

The Business School Edinburgh Napier University Craiglockhart Campus Colinton Road Edinburgh EH14 1DJ
24 March 2017

Visual Methods and Ethnography in Interdisciplinary Research

The Business School
6 March 2019 - 4 June 2019

Visual Methods and Ethnography Research Seminar and Workshop

The Rivers Suite, Craiglockhart Campus
11 May 2015

The Fringe - my BFF. Everyday branded products, from instant coffee to cars, have long been imbued by marketers with human traits as a means of appealing to consumers’ self-image. Indeed an interpersonal relationships metaphor is applied to some products, with them viewed as people – such as friends, partners, family members and even enemies. Since its origination in 1947, the Edinburgh Festival Fringe has grown in a relatively organic way to become the largest and most renowned festival in the world. My talk will consider if a phenomenon like the Fringe is considered in similar interpersonal terms by its consumers as they organise, attend, support, and participate in their various stakeholder roles, from audience members to performers, and beyond. I will discuss my research where I interviewed consumers about their relationships with the Fringe. I discovered that the Fringe is viewed in numerous interpersonal terms, from casual, childhood and best friendships; to marriages and flings; and even in darker obsessive terms. My research also uncovered that many relationships with the Fringe are life-long, change over time, and can impact upon important life decisions. What does this tell us about ourselves and how we relate to something which is neither another human being nor a valued product, but an experience?

Skeptics on The Fringe 2017, Edinburgh Skeptics Society, Banshee Labyrinth, Edinburgh
14 August 2017